What was tuts funeral like




















In fact there were three coffins which were all painted with the likeness of Tutankhamun, the two outer coffins were made of gilded wood but the final coffin was made of solid gold. These likeness paintings were extremely important as they provided the dead with a face in the afterlife.

The solid gold coffin housed the mummy of King Tut and his fabulous golden death mask was placed directly over the mummified head of Tutankhamun.

Funeral of Tutankhamun - the Funeral Procession After 70 days following his death an elaborate funeral procession, fit for the Pharaoh, headed towards the designated tomb of the deceased. The location of the tomb was a closely kept secret. The mummy, lying in the nested coffins, was placed on a bier protected by effigies of gods. Oxen would have pulled the sledge through the desert heading towards the Valley of the Kings.

The members of the funeral procession consisted of the new Pharaoh Ay, members of the royal family, the vizier, the generals and court dignitaries.

These people would have followed the musicians who headed the procession. Behind the chief funeral procession wailing mourners followed accompanied by priests, some wearing animal masks including the jackal masked impersonator of the god Anubis. Servants or slaves followed carrying the items that would be buried with the mummy in the tomb.

The funeral guests wore white sandals and white headbands which were worn at holy or sacred ceremonies. The funeral procession ended when the location of the tomb was reached and the 'Opening of the Mouth' death rituals commenced. Learn more about one of the most loved and celebrated women in the history of Egypt. When you look at this almost heartbreakingly beautiful face, no thought of physical ills can cross your mind: The gold—the flesh of the gods—glows with divine light, and the inlaid blue eyebrows and cosmetic line around the eyes accent sinuous and stunning features.

The rest of the mask, and the series of coffins in which he was buried, are replete with paraphernalia that emphasized his role as king. Much of that had not changed in the intervening two millennia, since the time of the Old Kingdom.

For instance, Tutankhamun wears the same nemes headcloth that signified kingship for Khafre and others. On his brow is the kingly uraeus : the cobra Wadjet, representing Lower Egypt, combined with the vulture Nekhbet of Upper Egypt.

The combination of the two is symbolic of his domination of both lands. The cobra and vulture are colorfully inlaid with semi-precious stones and glass, including turquoise, carnelian, obsidian, and lapis. Tut also wears an elaborate broad collar that ends at each shoulder with a gold falcon head, the symbol of Horus. The rows of the necklace are composed of lapis, quartz, amazonite, and colored glass. The interplay of curving striped collar and rhythmically striped nemes is pleasing and quite complex.

This mask is complete by itself, and the broad collar has the function of ending it gracefully. Learn more about how using trial and error Sneferu figured out how to build a true pyramid. It was filled with unguents and oils used in the mummification process. Protective inscriptions are carved on the coffins as well. Who was Tutankhamun? How did he fit into the larger Egyptian picture? Tutankhamun was not a king of great importance; he was a boy who ruled only nine or 10 years in the New Kingdom, from the time he was about nine years old.

His early and untimely death had practically erased his existence from Egyptian memory, which is probably the reason his tomb had not been looted like every other. The dazzling contents of the tomb nag at us, and we wonder—what did the truly great kings, like Ramesses the Great, have buried with them? Tut was born in the New Kingdom — BC , the time of greatest flowering of the Egyptian empire. The son of Amenhotep III, though, was a different sort.

Akhenaten is depicted as the strange and seemingly distorted figure who started a new religious movement, Atenism. He founded a new capital, Akhetaten, and encouraged a new art style that departed from the standards of 2, years. This style we call the Amarna style, after the location of the newly founded capital. Akhenaten replaced the earlier gods, Amun chief amongst them, with the worship of the sun disk, called the Aten.

The cults and the priesthood of Amun were attacked and replaced. Akhenaten began a new art style to express his new beliefs, which embodied the notion that he was the child and the personification of the sun on earth.

This new style, which some call naturalistic—but is quite mannered and exaggerated in many ways, although more fluid and personal—was adopted by his artists. The style made use of an elongated, elegant, and sinuous line. Some of the subject matter of the art was new: It emphasized more intimate, and immediate personal scenes of the family of the pharaoh.

Animals, especially beautiful horses, and long-necked women in the royal court appear frequently. They painted highly stylized figures with exaggeratedly long and curving limbs, a contrast to the strict classical proportions that preceded them.

Nearly a decade after coming to power, the young leader died at about Scenes showing King Tut's funeral and his journey to the afterlife were painted on the walls inside of his tomb. After finding a crypt beneath the Egyptian desert , Carter spent much of the next two years searching the tomb. But the biggest treasure was within another room in the tomb, where Carter found a coffin. The coffin opened to reveal … another coffin.

Inside the second coffin was a third coffin made of gold. Soon after the mummy was uncovered, archaeologists tried to pry his body from the sticky sacred oils that coated the inside of his coffin. Some suspected he was murdered, perhaps poisoned. But modern technologies like 3-D scanning eventually revealed that the powerful king was actually in poor health—and even had a broken leg.



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